Hidden Fragments: XR technologies as a critical tool to nullify the phenomenon of spirit-murder, conceptualizes extended reality technology at the intersection of Afrosurrealism and other Black Speculative Arts, as a pathway for Black healing, literacy motivation, art engagement, learning, and developing critical play theory. (This video is the latest draft of Davis' end-of-year presentation for the 2020-21 HNY Public Humanities Fellowship at the Humanities Center).

This work could have not been done without the beautiful collaboration of spirit. 
I'd like to especially thank

• The dope kids & staff at The Creative Arts Academy
• Drs. Camilla Bell, Marcelle Haddix, and James Rolling.
• The staff at the SUART Museum, The Community Folk Art Center, and Light Work.
• Dan Pacheco, Tamara Chock, and a host of my peers in the XR labs at Newhouse.
• Sonny Cirasuolo!
• Vivian May, Aimee Germain, and Adam Capitanio for all of your guidance and assistance during my Public Humanities Fellowship.
• My loving, patient partner, Carlton.
• And every Black feminist who has conceptualized this concept of spirit-murder  —Patricia Hill Collins, Audre Lorde, Maria Lugones, bell hooks, Bettina Love, Patricia Williams, Gloria Anzaldua, Cherrie Moraga, Mariana Ortega, Nichole Margarita Garcia—